How Do You Dance Without Being Able To Hear The Music?

Like this. I love Marlee Matlin

The Dance Of Love

The music sets the tempo. Fast, slow. Happy, sad. Sultry, serious. Playful, grave. The dancers build on that music, and give shape to sound, and make the intangible tangible.

In a dance, one leads, another follows. Each role is as important as the other. The dance needs both to be involved, and for a span of time, they are committed.

The man takes the lead, and he takes upon himself the power that the woman willingly offers. He also takes on himself the responsibility of taking care of her for the length of the dance. He guides without hesitation, is clear without being pushy, and she follows. He adjusts to her nuances and shows her off, makes her look good. Looks out for her on the dance floor, keeps her safe. His job, is to make sure he communicates what he wants her to do. Clearly, without ambiguity. All without a single word said. He watches the room, watches her, the world fades. His attention is on the room. His attention is on her.

The woman follows, but she is not inferior or lower in status. She follows the lead because it is her choice, gives the power to the man, so she has more space to fully express herself. She lets herself be led, but in following the signals, throws in her own interpretation. She is free to throw herself into the dance, and express herself fully. She has the attention of everyone in the room, but her eyes are on one.

I was told by my first salsa instructor three important things in dance.

1. The job of the guy is to make her feel good, and look good.
2. Channel Antonio Bandares's confidence.
3. Men spend three times more time practicing than women.

I add a couple more rules.
4. Follow the music and be focused on the woman, and you'll naturally look good. 
5. Lead well.

The moves we learn in class is just more vocabulary. And this is the advice paraphrased from Bruce Lee. Ultimately, it is the expression of oneself through movement. It is the expression of oneself, totally and completely. That way, it is the process of continuing growth. Train, so that when you want it, it is there. The advice works, both for dance, as well as martial arts.

Everyone will cock up in dance. There are a million and one things that might happen. But screw it. The important thing, is to live for the moment. Enjoy the dance, laugh it off, and continue. There's always another song, another beat, and at the end of the day, what matters are not the moves, or how flawless or complex the moves are, but the way you make each other feel. 



Dance and relationships. It's not that different from each other, is it?

Age IS an Issue

Nowadays when someone tells me, "You're 30 and you're still hitting the clubs and dancing?"

I tell them yeah. "you young uns got a lot of catching up to do."

And I can still whoop your ass on the dance floor. Booya.

The Secret of Dancing

Here are the truly important things when it comes to dancing.

"The first thing I'm going to teach you," said Siggy,"is the most important thing. I'm going to teach you how to ask someone to dance."

"Listen," she said. "Let's get something straight from the very beginning. When you ask someone to dance, you are NOT asking them to make love to you... You aren't asking them to marry you... Or go steady, or anything of the sort... It's communication, Nathaniel. It's a way to know someone."

"I'll tell you another secret," she said. "You can look right into someone's face without being embaressed... It takes some time, but you can look at someone without invading their space, without intruding; and without being intruded upon..."

~ Maggie Thomas, Broken Time

Steps? The steps are just the means to an end, and the right steps are really a rather subjective phenomenon. And frankly, steps aren't all that important after you get those other bits right.

What other lessons can we draw to other aspects of life? I'll just leave that to you. To get what I learnt out, you gotta pay. Prata, teh tarik, or a glass of whiskey.